Loony Tunes Creation

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If the experiment was outside Lincoln Center, where decades of music lovers listen Wagner made the most glorious way possible by the New York Philharmonic or the Met, the percentages (and mental images) might skew slightly more favorable toward breast-plated Valkyries in horned helmets. Still, the association Looney Tunes and Wagner - is indelible - and Rossini, Liszt, J. Strauss II, Suppé, Smetana, Tchaikovsky, and any other number of composers of the golden era.

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It's no accident. Hundreds of millions of people in America and around the world, the first classical music experience (and opera) at the hands of Bugs Bunny, Daffy Duck, Elmer Fudd, and the rest of the Looney Tunes ensemble, cavorting with the masterful , classically infused cartoon scores of Carl stalling and Milt Franklyn.
Of the composers, the cartoon can be hilarious, but for music creation was no laughing matter. They worked arduously and passionate with the glorious Warner Bros. Studio Orchestra same - and within the same studio musical hierarchy - as did the more famous (and better paid) WB film composers of the day, legendary names like Max Steiner , Erich Korngold and Bernard Herrmann. But although their animated shorts only seven minutes long (except the two or three hours running time of a full-length feature) and star Bugs Bunnyinstead of Bogart or Bette or Bacall), stalling and Franklyn painted with magic compositions were irresistible to audiences of the 1930s, '40s, and' 50s - and is still today. They established unmistakably unique "Looney Tunes sound," and while film fans might not be able to define, immediately they know (and love it) when they heard it.